Grounded in her ongoing inquiry into expanding forms of sound and music notation, Liew Niyomkarn composes a visual interpretation of sound across multiple dimensions and temporal registers. Referencing Curtis Road's theory of microsound and the cyclical 'forth turning' of history proposed by Neil Howe, the work translates states of limno, reflection, refraction, and transmission.

Here, notation becomes less a prescriptive system and more a space for negotiating memory, uncertainty, and resonance.

Text and curation: Ariane Sutthavong
Technical assistance: Doris Boerman
Photos: Liam Morgan

Part of THREESOUND Expo, Berlin 2025